One change.
Everything moves.

Light is the operating system for media production. Make a decision once and it carries through the breakdown, shotlist, schedule, budget, set, and edit.
Nothing falls out of sync.

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AI assists. The creative call is always human.
Vanshika... ● Live
⬡ ⬡ □ ✎
MONOPOLY
ACT I
SCENE I
(The lobby of shower room in a luxurious country club, very well-lit with chandeliers and halogens, massive sofas in the center with towels on both sides and two people sitting on either side of the sofa, seemingly distraught. A younger girl, Willie is seen standing at one of the two entrances to the room.)
MARLA
She's gone to take a shower, when she is back you will have to be the one to break the news to her. I'm already the bad cop, it's time you take up the tough parts of parenting.
DANIEL
I don't want to do that to her, it's going to break her, I'm still trying to speak to the manager and see if there is any way we could defer the payment a little.
MARLA
Dan, I know this is not what we planned for her but keeping her in an environment where she feels less than, will do more bad than good. I believe in her enough to know that she will be able to understand if we explain the situation to her.
● ACTION ▸ Action ● Character ○● Scene

Script Breakdown

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▤
3
Scenes
👥
7
Characters
⬇
8
Locations
◎
15
Props
▤
2
Vehicles
◎
11
Shot Suggestions
SC. 1 INT DAY 3.5 pgs ▾
INT. COUNTRY CLUB SHOWER ROOM LOBBY - DAY
Willie's parents Marla and Daniel discuss their financial difficulties and inability to afford the country club membership while Willie overhears.
SC. 2 INT DAY 4.0 pgs ▾
INT. PENTHOUSE DRAWING ROOM - DAY
Sara plays piano while her mother Beth criticizes her attitude. Her father Daniel arrives with bad financial news.
SC. 3 INT DAY 4.5 pgs ▾
INT. SCHOOL CLASSROOM - DAY
In a middle school classroom, Sara breaks Willie's colored pencils as a test to show Willie how she stands up for herself at school.
▾ 👤
Willie3, 1
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BASIC INFORMATION
Description
Female, 14, Caucasian with sharp features. Willie is a supporting character appearing briefly in the scene.
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Marla1
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Daniel1, 2
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Sara3, 1, 2
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Beth2
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Other Students3
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Country Club Shower Room Lobby1
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Penthouse Drawing Room2
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Staircase2
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School Classroom3
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Penthouse Staircase
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McDonald's
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Pier
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Colored Pencils3
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Pencil Pouch3
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Lunchbox3
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VEHICLES
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Multiple Cars (mentioned)2
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EQUIPMENT
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Chandeliers1
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Halogen Lights1
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Piano2
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● 1 selected ↘ Production Canvas
□ ⊕
SCENE Willie's parents discuss their finances...
CHARACTER Willie's mother, dealing with family financial...
LOCATION Luxurious lobby with chandeliers, halogens...
PROP Country club towels placed on sofas...
COSTUME Upscale casual clothing appropriate...
EQUIPMENT Luxurious lighting fixtures...
⬡ 45 nodes ⟁ 40 links
Why Light

Sync the crew. Automate the busywork. The creative decision is always human.

All Departments picker — Directing, Cast, Camera, VFX, Editing, Sound & Music, Grip, Art, Costume, Hair & Makeup, Legal & Scheduling, Locations & Transportation

On the same page

Your whole team, working in one common place. Writers, directors, producers, ops.

Shot detail showing Update information / Stale node / Regenerate — dependent assets refresh after a script change

Changes ripple

Edit a scene. The breakdown, shotlist, references, and schedule update themselves.

Shot list with a status dropdown — Draft, In Review, Confirmed, Archived — highlighting Confirmed

You hold the final cut

AI does the legwork. Every change shows up as a diff you sign off on.

Script Breakdown

Every element tagged automatically.

Cast, props, locations, VFX, continuity, surfaced in seconds.

I · Pre-production

Plan once. Change anything. Break nothing.

One project, one state. Scripts, shots, schedules, and budgets stay in lockstep.

Shotlist

The shots you want, the way you want them. Lens, T-stop, framing, coverage. Tied to the scene it serves. It moves from idea to confirmed as the work moves.

Schedule

Stripboard, calendar, timeline, DOOD, travel, call sheets. Reflows the instant cast availability or a location shifts.

Budget

Line items tied to the schedule. Tax rebates by region, SAG / DGA / IATSE fringes, contingency, ATL / BTL split. Recalculated live.

IP

Your script and creative materials are yours, and they are protected. Watermarking, encryption, per-share access, full audit log on every view and download.

II · Production

Live from set. Every frame in context.

Production image

Takes stream into the shotlist with metadata attached. Markers, good-takes, and director notes flow back to the script in real time.

ARRI · RED · Blackmagic · Sony Venice

III · Post-production

Nothing lost in the handoff.

Every clip arrives in your editor with its slate, lens, LUT, and scene context attached. No re-import. No reconciliation.

Voice Studio

AI voices for scratch and ADR. Character-consistent across reels. Cloning and voice design, on ElevenLabs.

AI Daily

The day's rushes into a dailies reel in one click. Slate, sync, color, logo. Done.

Plugs into the stack you already use.

Video Editing

Shotlist to timeline in Premiere Pro.

Our extension syncs both ways. Commits and assets move through Light. You never re-import.

LightsKiddo plugin running inside Adobe Premiere Pro
3D & Animation

Scene graph and rigs into Maya.

Characters and props arrive pre-named from the breakdown. Animators start. They don't set up.

Scene graph and rigs handed off to Autodesk Maya
Audio & Music

Score and scratch in Ableton Live.

Locked to picture with scene markers. ADR drops on the right timecode automatically.

Score and scratch in Ableton Live
Video Editing

Color-accurate to DaVinci Resolve.

Scene and shot metadata follows the clip. Right slate, right lens, right LUT, on the timeline.

DaVinci Resolve handoff with scene and shot metadata
3D & Animation

Pre-viz to finish in Blender.

Camera, lens, and shot data export clean. The animatic becomes the final plate. Nothing lost in translation.

Pre-viz to finish in Blender
Director's Cut Synced
agni-directors-cut-v4
Director's Cut
agni-directors-cut-v4
Synced
24
Commits
187
Synced Assets
3
Total Edits
Edit History ↻
Tighten pacing in Act II
Aryan · 2h ago · 3 scenes affected
e4f2a1c
Add establishing shots from AI Daily
Sara · yesterday · 5 scenes affected
b7d0c33
Sync footage from set · Day 3
Bill · 2d ago · 12 scenes affected
91f4e28

Edit History
EDITS
⎇
Rough
3 commits
⎇
Director's Cut
7 commits
COMMITS on Rough
✓
Tighten pacing in Act II
Aryan [AD1] · 2 hours ago · 3 scenes affected
✓
Add establishing shots
Sara [ED2] · Yesterday · 5 scenes affected
✓
Initial assembly
Aryan [AD1] · 3 days ago · 12 scenes affected

Ultra_closeup_of_202509301645 A_beautiful_little_1080p_202512171845
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00:01:00:00
00:01:30:00
00:02:00:00
🔒 V3 👁
🔒 V2 👁
🔒 V1 👁
🔒 A1 M S 🎤
🔒 A2 M S 🎤
🔒 A3 M S 🎤
LightsKiddo Edit Room
✓
redo the final cut
Processing...
✓
sync footage to script
just now

Philosophy

How Light thinks

One intent, everywhere. A decision made once is honored everywhere. Nothing fragments across tools or teams.

Across tools, not inside one. Light connects Premiere, Resolve, cameras, and 3D. It does not try to replace them.

Production-safe by default. Encryption, watermarking, per-share access, and audit logs on everything that matters. Your IP is yours.

Structure before automation. AI needs context to be useful. Light builds the structure first. The smart things follow.

Human-led. AI-assisted. The creative call is yours. AI handles validation, coordination, and the work nobody wants to do.

The production outlives the tool. If Light goes away tomorrow, the work stays. Everything exports clean to standard formats.

FAQ

Does Light replace my existing tools?

No. You keep Premiere, Resolve, your camera, your stack. Light connects them. Same workflow, fewer seams.

Is my data private and secure?

Your IP is protected by watermarking, encryption, and per-share access. Every view, comment, and download is logged. You control who sees what.

Who is Light built for?

Directors, producers, DPs, editors, post supes. Anyone running a real production, indie or studio, who is tired of rebuilding context at every stage.

How does Light handle changes during production?

A change in one place is a change everywhere. Move a shot, and the schedule, timeline, and metadata follow. No emails. No "did you get the new version."

Does Light use AI to take over creative decisions?

No. AI flags, validates, drafts, and suggests. You approve every change. The creative call is always human.

What happens if I stop using Light mid-project?

Nothing breaks. Files, timelines, footage are untouched. Everything exports clean to standard formats. Light is a thread through the work, not a cage around it.

How much does Light cost?

Enterprise, per studio, per project. We will price it against your production. Talk to us.

Is Light available now?

We are in closed beta with a small group of studios and production companies. Schedule a demo to get on it.

Can Light integrate with my camera and NLE?

Yes. ARRI, RED, Blackmagic, and Sony Venice on capture. Premiere Pro and DaVinci Resolve in post. Maya, Blender, and Ableton Live alongside. More coming.

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