Light

The production rail for film and TV

One intent From script to master No drift, no doubt
Vanshika... ● Live
MONOPOLY
ACT I
SCENE I
(The lobby of shower room in a luxurious country club, very well-lit with chandeliers and halogens, massive sofas in the center with towels on both sides and two people sitting on either side of the sofa, seemingly distraught. A younger girl, Willie is seen standing at one of the two entrances to the room.)
MARLA
She's gone to take a shower, when she is back you will have to be the one to break the news to her. I'm already the bad cop, it's time you take up the tough parts of parenting.
DANIEL
I don't want to do that to her, it's going to break her, I'm still trying to speak to the manager and see if there is any way we could defer the payment a little.
MARLA
Dan, I know this is not what we planned for her but keeping her in an environment where she feels less than, will do more bad than good. I believe in her enough to know that she will be able to understand if we explain the situation to her.

Script Breakdown

3
Scenes
👥
7
Characters
8
Locations
15
Props
2
Vehicles
11
Shot Suggestions
SC. 1 INT DAY 3.5 pgs ▾
INT. COUNTRY CLUB SHOWER ROOM LOBBY - DAY
Willie's parents Marla and Daniel discuss their financial difficulties and inability to afford the country club membership while Willie overhears.
SC. 2 INT DAY 4.0 pgs ▾
INT. PENTHOUSE DRAWING ROOM - DAY
Sara plays piano while her mother Beth criticizes her attitude. Her father Daniel arrives with bad financial news.
SC. 3 INT DAY 4.5 pgs ▾
INT. SCHOOL CLASSROOM - DAY
In a middle school classroom, Sara breaks Willie's colored pencils as a test to show Willie how she stands up for herself at school.
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Willie3, 1
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BASIC INFORMATION
Description
Female, 14, Caucasian with sharp features. Willie is a supporting character appearing briefly in the scene.
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Marla1
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Daniel1, 2
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Sara3, 1, 2
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👤
Beth2
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Other Students3
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Country Club Shower Room Lobby1
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Penthouse Drawing Room2
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Staircase2
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School Classroom3
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Penthouse Staircase
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McDonald's
🗑
Pier
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Colored Pencils3
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Pencil Pouch3
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Lunchbox3
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🚗
Multiple Cars (mentioned)2
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Chandeliers1
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Halogen Lights1
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Piano2
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● 1 selected ↘ Production Canvas
SCENE Willie's parents discuss their finances...
CHARACTER Willie's mother, dealing with family financial...
LOCATION Luxurious lobby with chandeliers, halogens...
PROP Country club towels placed on sofas...
COSTUME Upscale casual clothing appropriate...
EQUIPMENT Luxurious lighting fixtures...

Build the foundation once, use it everywhere

Everything starts with structure that carries forward

Scripts

+

Scene-aware scripts that define the project, aligning production with the latest script, notes, and approvals - exports ready for FDX, Fountain, and PDF

Breakdown

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Scenes expanded into locations, characters, and requirements - auto-linked to every setup

Shotlist

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Coverage tied directly to the scene with structured, production-ready breakdowns including ID, spec, look, and approvals

Schedule

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Shot days planned with phases, calendar, gantt, and elements

Agni... ● Live
MONOPOLY
ACT I
SCENE I
(The lobby of shower room in a luxurious country club, very well-lit with chandeliers and halogens, massive sofas in the center with towels on both sides...)
MARLA
She's gone to take a shower, when she is back you will have to be the one to break the news to her...

Script Breakdown

SC. 1 INT DAY 3.5 pgs ▾
INT. COUNTRY CLUB SHOWER ROOM LOBBY - DAY
Willie's parents Marla and Daniel discuss their financial difficulties and inability to afford the country club membership while Willie overhears.
SC. 2 INT DAY 4.0 pgs ▾
INT. PENTHOUSE DRAWING ROOM - DAY
Sara plays piano while her mother Beth criticizes her attitude. Her father Daniel arrives with bad financial news.
SC. 3 INT DAY 4.5 pgs ▾
INT. SCHOOL CLASSROOM - DAY
In a middle school classroom, Sara breaks Willie's colored pencils as a test to show Willie how she stands up for herself at school.
👤
Willie3, 1
🗑
👤
Marla1
🗑
👤
Daniel1, 2
🗑
👤
Sara3, 1, 2
🗑
👤
Beth2
🗑
👤
Other Students3
🗑
Country Club Shower Room Lobby1
🗑
Penthouse Drawing Room2
🗑
School Classroom3
🗑
Penthouse Staircase
🗑
McDonald's
🗑
Colored Pencils3
🗑
Pencil Pouch3
🗑
Chandeliers1
🗑
Piano2
🗑
🚗
Multiple Cars (mentioned)2
🗑
Shot thumbnail
1 Wide Shot

Establishing the luxurious country club lobby setting with Marla and Daniel seated on massive sofas, Willie standing at entrance

✎ Edit ● Approved
Shot reference
Wide establishing shot of opulent country club lobby with crystal chandeliers, plush sofas, and marble columns
CAMERA
Sony Venice
LENS
Prime
FOCAL LENGTH 24mm
APERTURE f/2.8
ISO 500
FRAME RATE 24
MOVEMENT
Static
ANGLE
Eye Level
LIGHTING
TBD
6s
📍
Luxurious Country Club Lobby ✓ Approved ×
👤
Marla ✓ Approved ×
💡
crystal chandeliers ✓ Approved ×
📅 Schedule 0 shoot days
📅
14 Total Days
🎬
8 Scenes
📷
42 Shots
📦
127 Elements
Pre-Production ● Active
Jan 1 - Jan 19, 2026
85% complete
Production ○ Upcoming
Jan 20 - Jan 27, 2026
Not started
Post-Production ○ Upcoming
Jan 28 - Feb 15, 2026
Not started
📅
14 Total Days
0 Completed
🎬
8/12 Scenes
📷
42/56 Shots
Day 1 Jan 20, 2026
8 scenes 24 shots
📍 Country Club - Interior
Day 2 Jan 21, 2026
6 scenes 18 shots
📍 School Classroom
Day 3 Jan 27, 2026
4 scenes 14 shots
📍 Penthouse - Exterior
January 2026
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

An operating layer for the shoot

Light runs locally on set, connecting planning and cameras in real time

Footage captured with scene and shot context attached · Blackmagic integration for live metadata · Continuity tracking on set · Real-time validation against shot contracts

Review and annotate takes as they're recorded · Live camera feeds checked against planning · Metadata synced in real time · Flags coverage gaps and spec mismatches before wrap

Decisions made once reflected everywhere · Live adjustments to shotlist and schedule · Context preserved for post · No manual reconforms needed

The project does not reset in post

Scenes, shots, and decisions carry forward into the edit

Rough
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0
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Sync Status
1
Edits
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Edit History
Rough
3 commits
Director's Cut
7 commits
COMMITS on Rough
Tighten pacing in Act II
Aryan [AD1] · 2 hours ago · 3 scenes affected
Add establishing shots
Sara [ED2] · Yesterday · 5 scenes affected
Initial assembly
Aryan [AD1] · 3 days ago · 12 scenes affected

Ultra_closeup_of_202509301645 A_beautiful_little_1080p_202512171845
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🔒 V3 👁
🔒 V2 👁
🔒 V1 👁
🔒 A1 M S 🎤
🔒 A2 M S 🎤
🔒 A3 M S 🎤
LightsKiddo Edit Room
redo the final cut
Processing...
sync footage to script
just now

How Light thinks

One intent, everywhere. A decision made once is respected everywhere. Light prevents fragmentation across tools and teams.

Across tools, not inside one. Light connects Premiere, Resolve, cameras, and 3D without replacing them.

Local-first, production-safe. Runs locally on your Mac with files staying private and under control.

Structure before automation. AI needs context. Light builds clean structure first, automation follows.

Human-led, AI-assisted. Creatives stay in control. AI handles validation, coordination, and analysis.

The production lives on if Light goes away. Your data exports cleanly to standard formats.

FAQ

Does Light replace my existing tools?

No. Light connects and syncs with the tools you already use - Premiere, Resolve, Blackmagic cameras, 3D software - without replacing them. Your workflow stays the same; Light just makes everything speak the same language.

Is my data private and secure?

Yes. Light runs 100% locally on your Mac. Your scripts, footage, metadata, and decisions never leave your machine. No cloud uploads, no remote servers, full control.

Who is Light built for?

Filmmakers, directors, producers, DPs, editors, and crews working on real film and TV productions - from indie features to studio projects - who need intent, structure, and sync to survive complex workflows.

How does Light handle changes during production?

Changes made once are reflected everywhere. Update a shot in pre-production, and the camera feed, schedule, and edit timeline update automatically. No manual reconforms, no lost intent.

Does Light use AI to take over creative decisions?

No. Light is human-led, AI-assisted. AI helps with validation, gap detection, continuity checks, and suggestions - but you stay in full creative control. The final call is always yours.

What happens if I stop using Light mid-project?

Your project continues exactly as it was. Light is an overlay - your files, timelines, and footage remain untouched and fully compatible with Premiere, Resolve, and other tools.

How much does Light cost?

Pricing is available upon request for early access and production teams. Contact us for details on individual, studio, or enterprise plans.

Is Light available now?

We're currently in closed beta with select filmmakers and studios. Sign up for early access to be notified when we open wider.

Can Light integrate with my camera and NLE?

Yes. Full live integration with Blackmagic cameras for metadata and context. Premiere plug-in for timeline-aware editing, smart selects, and assemblies. Resolve support coming soon.

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